| susan@studio409art.com | |||
|
|||
| Poland |
|
A Hole in Time
series on the pre-war Jewish community of Radom, Poland |
|
| Lithuania |
The Silence Speaks Loudly
series on the traces of the Jewish community in
Lithuania |
| In the summer of 2009 I spent six weeks
in Eastern Europe. I went to study Yiddish at the
Vilnius Yiddish Institute, to do research in the
archives and to visit the Belarus shtetl from
which my grandmother had come. With no
great aptitude for languages, I had no aspirations
to fluency or conversation, but I realized that
Yiddish was an important part of a culture that no
longer exists, the culture from which my family
came. I hoped to incorporate it into my
artwork around my family history and cultural
heritage. I knew I would develop artwork out of my experience, but wasn't sure what form it would take. As a figurative artist, my focus has been on people. But what people? My family was no longer there, any remaining relatives long murdered in the Holocaust. I found myself looking at older Lithuanians wondering what their story was. Lithuania had a high level of complicity with the Nazis, yet there were certainly those who reached out and saved Jews, still more who looked the other way realizing that their own lives could be endangered. I looked at them with skepticism, unsure of their history. For more text click here |
|
| Gedenken 24 x 72
Acrylic on Canvas also done in two canvases of 24 x 36 |
Home |About the Artist |Paintings | Prints | Sketches & Watercolors | Family History | China | Eastern Europe | Identity & Legacy
| During my sojourn in
Lithuania, I observed the dark undercurrents that
still color Lithuania's relationship with the
Jews. What I hadn't anticipated were the
people within the Jewish community, especially those
who were our guides and in some cases fellow
students. They too had a history. Those
who were older and from Europe were either
survivors, partisans or hidden children. Those
who lived in Soviet times also had the experience of
being unable to practice their religion for many
years. These people began to work their
way into my paintings as I sought to tell their
stories. This body of work has also taken me
into more semi-abstract imagery and the use of
language. I found myself employing layering as
a way to suggest the hidden, what lies beneath the
surface. The cultural program that accompanied the language proved to be an immersion in the Holocaust story of Lithuania, my first brush with it on the ground where it occurred. I came away with many impressions, foremost the sense of "negative space". The story of the Jewish community was most often felt in its absence. In most cases the Jewish history went unnoted. Former synagogues were often noted as historic buildings, but rarely was there an acknowledgement of what they had been. I encountered people who for much of their youth were unaware that Jews had made up almost half of their city prior to the war. The complicated history of Lithuania, its relationship to the Jews, and the complicity of many, meant a discomfort with the history that had transpired on their ground. That discomfort manifests itself in silence. And so the silence speaks loudly. My paintings seek to give it voice. Return to artwork |